The Unique Movement of Different Bodies

So that you can see the work of the Peony Method on DIFFERENT BODIES, I'm starting a series with long time students, Jillian Hynes and Linda L Soto where we'll demo the fundamental parts of a Peony Method class, starting, of course with the always present seated circles. (For a breakdown of the basics of this movement, see this previous video.)

The first person who watched this new video had a lot of things to say:

1. She thought she would hate hearing the breath and she LOVED it. So volume up. She said she was so used to hearing MY breath that she didn't realize how different it could be and now she feels like "oh! I could do this!"

2. She was so used to seeing ME do the movements that she wasn't sure they were for her, but after watching how different they look in different bodies, again, she feels like "oh! I could do this!"

Which is the whole point of this type of demo... to underscore what I am constantly saying: THIS IS DIFFERENT FOR EVERY SINGLE BODY and DIFFERENT IS BEAUTIFUL.

I am demoing in a chair to remind people that that too is possible.

Go here to see what else is on my YouTube channel, and don’t forget to like, comment, and subscribe to help get this work to more people who need it.

JoyBody: The Efficacy of Tummy Circles

I’ve had this post in mind for months, but every time I go to write it, I get totally overwhelmed because I think that this topic is rather huge. Like, I could write a short book about tummy circles. They’re that important and that effective.

So today as you read this, imagine I’m just getting started, that this is the tip of the iceberg. Part of the iceberg that’s underwater is all the stories I could tell you about how students’ bodies (and minds and spirits) have changed over time doing tummy circles fairly consistently.

Fairly consistently means many times a week, but it doesn’t necessarily mean a LOT of time. I tell people that even just one minute in each direction will create changes. And that’s the truth.

(Side note: I’m having a bit of anxiety about this even now… I KNOW after I release this out into the world, that I’ll think of tons of things that I missed. AND if you, as a practitioner, think of anything I missed, please let me know!)

I’ll be looking at this from the perspective of three of your main bodies or sheaths: physical, emotional/mental, and spiritual/woo.

The Physical Stuff

To start, tummy circles do all kinds of magic to your physical body.

• Because we do the circles in sync with the breath, they make us immediately aware of how we’ve been breathing and what we need to do to improve our breathing.

• In a more abstract way but still powerfully physical, tummy circles immediately drop us into our bodies. There are days when they actually remind us that we freaking have bodies.

• They’re great for warming up as they create some heat in the torso and get the muscles ready.

• If you have tight hips, over time tummy circles will start to naturally relax and elongate all the muscles creating the tightness. This includes and also goes for your psoas muscles.

• If you’ve never met any of the muscles in your torso (i.e., your “abs”), tummy circles plus focused breath will eventually introduce you.

• They also rock when it comes to helping with healthy digesting. If you’re feeling like you’re in a phase of hyper-digestion (to put it nicely), then simply do them much slower with much more shallow breath.

• And of course, these are great for your spinal health and mobility. In Chinese medicine, they say your true age is equal to your spinal flexibility and strength.

The Emotional/Mental Stuff

How the heck do tummy circles affect our mind and feelings? Well…

• Doing this repetitive movement with the breath quickly clears the mind. Or helps us to notice how messy it actually is up there.

• They always put us in touch with what we’re feeling. This part is extra powerful when we are first starting to do them and when we’re going through something extra challenging and have to do a bit of compartmentalizing to get through our days.

• Tummy circles are a great and gentle emotional release valve.

• They bring us right into the now. This is a big part of their magicks.

The Spiritual/Woo Stuff

Tummy circles are simultaneously working on three energy centers/chakras. Well, more like four or… all of them. ((ha))

• First chakra: of course, tummy circles ground us. Connecting us to the energy of earth and self (and when done with others, kinda plugging us into the circle, if you will).

• Second charka: the motion of the tummy circles and the breath are like water, connecting us to our inherent creativity and stirring it up. (I often get ideas during tummy circles.)

• Third chakra: when done correctly, they stoke our inner fire… the fire of will and the fire into which we can throw whatever we no longer need. (You can even imagine throwing crap into that fire as you do these.)

• Fourth chakra: they start to generate energy upward into the heart center.

• Fiftth chakra: audible breath and the motion continue to pull the energy up and into our throats.

• Sixth charka: doing tummy circles with the eyes closed, then allows the energy to be pulled up into our third eye area, stimulating the pituitary and pineal glads because…

• Seventh chakra: finally the energy reaches our crown, driving upward and connecting us to all that is before finally dipping back down into the ground and starting all over again.

The energy of the tummy circles, then, creates a multitude of differently planed spirals. You can visualize yourself sitting in the center of all of that as it emanates out from you in every direction and then gets fed back into you.

Like I said, powerful stuff.

And they are no less powerful if you do them in a chair. Over time, I would encourage you to slowly work your way toward the floor but in the meantime, the chair version is just as good.

The idea, as always, is to do old things in new ways… finding little bits of change to experiment with and to observe.

If you’re not seeing the videos in your email, here is the first and the second.

The efficacy of fidgeting (and more free videos)

If you know me, you know I am constantly reading and watching videos about the bodymind and trauma and healing and overall fitness (meaning, for me, the confluence of mind, body, spirit), but then I don’t always remember WHERE I get stuff so I apologize for the lack of sources here but whatevs.

There are some new studies out there that are showing that fidgeting can be super helpful in activating a more effective metabolism.

The one study is about simply doing heel lifts when you’re seated. Crazy stuff. They’re called “soleus pushups.”

But little bits of movement throughout the day — and I mean LITTLE BITS — can help long term with overall health.

Turns out fidgeting is good for you. (Though perhaps annoying for the person sitting next to you on the couch… ((cough)) ha)

Here are some things I’m playing with that aren’t exactly fidgeting but are along those lines because I’m doing them quickly and not for more than 30 or 60 seconds at a time:

1. If you’re having to sit for a long time, do those soleus pushups but also do some joint circles — wrists, for one, and shoulders and ankles are easy to do in a chair and to do in these tiny bits I keep mentioning.

2. When I walk past a certain wall toward the kitchen, I try to stop and do just a few wall pushups.

3. When I’m waiting for tea water to boil or whatever, I do a bunch of rises on the balls of my feet (releves) from different foot positions.

4. Sometimes on the couch, I do a ton of weird leg stretches… like a cat!

5. I’m trying to add in brief wall sits when I pass other walls in the house.

6. I’m also trying to remember to put my fingertips on the edge of the door frame and do a weighted drop (not lifting my feet off the ground to hang totally yet because of the shoulder stuff I’m still healing from).

7. You could have a squeezy ball at your desk to just, well, squeeze, because grip is super important to dynamic aging.

8. I also have some actual fidget toys that keep my fingers moving when I’m watching TV.

If you have other ideas, I’d love to hear!

AND in case you missed it, a recent video I made is about some simple movement to do to work with anger, frustration, stuckness, grief, etc.

Remember, if you like the content, please react to it on YouTube with a thumbs up or comment, and don’t forget to subscribe to my channel.

Making ugly noise to get to the beauty

I wrote these words about 2 weeks ago on someone else’s post on Facebook:

I keep thinking about this as I venture further into my singing lessons. I keep thinking about a documentary about the making of the Joshua Tree (I can't find it to watch it again... it seems to have disappeared...)... Anyway, there's this part where Bono has written the words for I Still Haven't Found What I'm Looking For and the music was already done. But he has to figure out HOW to sing it... BONO... right? And whoa... it struck me exactly this... he had NO FEAR of sounding AWFUL and THAT is why he can do what he does. So now when I'm practicing, I push like that... just like I would do in dance, of course, but singing for me has been such a fear thing that it's more tender and vulnerable... but I push like that... where can I go that it's BAD... because RIGHT AROUND THERE... that's where you'll find awesome hanging out. 

I wrote that about 2 weeks ago, and since then, so much has changed.

So that little story — and this adventure I’m taking with singing — remember, it’s literal for me, but it’s simultaneously one giant metaphor for all of us, and it’s all about living life fully.

Over the last two weeks, because I’ve been willing to make ugly noises, to falter, to crack, to just sound like OUCH!, I’ve started to truly find my voice.

And under all that fear that I’ve lived with for so long, what am I finding?

That my voice is BIG and it’s sassy and ferocious and demanding.

It makes me think about my honest dance. I’m an aggressive mover when I’m fully in my body, so it’s no wonder that I’m an aggressive singer. (If the word aggressive makes you uncomfortable, sit with that because it’s my preferred word here and if it triggers you in some way, that’s your trigger to pay attention to. I stop to say this because over my life when I use that word, so many WOMEN correct me and say I mean assertive. No. I mean aggressive.)

I also don’t think it’s a coinkydink that once my singing lessons started, my shoulders reached new levels of healing. During a Peony Method class this week, I could feel my whole body connected in a way it hasn’t been for almost two years, thanks to a lot of factors, including Peony’s death and two frozen shoulders.

And they were frozen, for sure. The shots I got were totally necessary, but there’s some woo here, isn’t there?

Shoulders… how many times (if you’ve been in classes with me for long) have you heard me say, “Many women are weak in the shoulder area and that makes sense because it’s the connection space between heart and throat… how many of us are not saying what needs to be said and it’s stuck right at that shoulder level?”

I was obviously talking to myself.

Why Slow?

““The times are urgent; let us slow down.””

— — Bayo Akomolafe

When we practice slow in the Peony Method, it's not just to practice being physically slow. Though it is that to some degree, as slower physical practices are, truly, more challenging.

Why? To start, you can’t “cheat” with momentum. Going slowly, you’ll also feel more — including if you’re pushing past a limit of some sort that could lead to injury.

You’re also able to observe your body’s strengths and deficiencies more closely.

If you DO have an injury, you can take your time working around it… flirting with its edges, deciding what to work with and what to let rest.

Slow practices also allow more focus on good breath work but also on different types of breath work. (If you’ve been in my classes, one example would be when we only move during suspended inhales or exhales.)

But beyond all of this (and I’ve really only started to touch on the physical advantages of slow), the slow in the Peony Method is about the emotional/mental/spiritual aspects of your BodyMind.

We hear our body’s messages more clearly. We hear where things might be stuck — whether old trauma, recent grief, or any emotion that is in need of your attention. It’s all in the body, of course.

We hear our heart's truth better when we slow down. The heart can speak in whispers and our busy, chaotic world is often too much for it.

We hear/feel our connections when we’re slower — whether to ourselves, our wiser self, something bigger, each other.

Truth, wisdom, the next move, the right idea… it all has the space it needs to arise and get your attention when we’re moving slowly.

This is not to say that faster movement doesn’t have its own set of pros. But our culture — including our movement culture — prizes FASTER, BIGGER, BETTER.

The Peony Method is the antidote to all of that.

The body is the mind

I’ve been wanting to write about this for some time now but I kept stopping myself because it feels more like a book than a blog post. I finally decided it’s better to at least start getting these ideas down somewhere so here we are.

We’ve been seeing and saying the words “body, mind, and spirit” for so long, and we’re starting to wake up to the fact that that is the start of the problem: this idea that those three things are somehow separate.

Most western religions believe in some level of duality, as does most of what passes for “spirituality” and “wellness” today.

People speak of their meat suits as if they are somehow separate from them.

They are not. We are not.

Whatever you believe about what happens after you exist on this material plane, you don’t actually know. (Belief is not knowing no matter how much we want it to be.)

So starting there, we can assume that the body is us. This is the experience we are having, regardless of what — if anything — comes next.

And if anything does come next, I will still assert body’s primacy. Firstly, if we are somehow “other spirit,” there is something important about embodiment or why is it bothered with? Secondly, whatever comes next could simply be seen as evolutionary in nature and not separate from what came before. Again, it will be body that gets us wherever we are going.

All of that said…

“Mind” is the word we often use when we’re talking about some sort of higher/wiser knowing that we can feel (FEEL) does not come simply from brain — brain being an organ like any other.

But we are deceived by this language. Mind and body are not just one as in intertwined but they are one as in the same thing.

Here’s how it works:

Body is constantly receiving information and input from the world beyond your skin but also, of course, from everything within that skin.

Body is the antenna, if you will.

But then body also decides what to do with that information/input and to whom it might be delegated internally.

So body is simultaneously the processor of all the data.

After that, of course, body does what body does — it takes action; it remembers; it represses; it stores, and on and on.

All of this is happening to you all of the time in the background and in the foreground, depending on your awareness and your capacity for noticing (which can be increased consciously).

Every time you think you have “intuited” something, you have actually just received informative conclusions that have come from all of this receiving and processing that you are not aware of you. You can’t be. You would go insane.

(This also explains the difficulties that people with sensory processing disorders are living. They ARE aware of TOO MUCH and/or too little.)

Every time you think the “universe has granted you an answer/idea/etc.,” you have actually simply received that from yourself.

For example, you suddenly get a big new creative idea. You think suddenly because you’ve not been aware of all that data collecting that body has been up to and the storage it has assigned to brain and the background “thinking” that has been going on until you took that shower and yelled “AH-HA!”

You did that. It’s no Great Mystery but it is mysteriously beautiful in that we don’t totally understand the power and capabilities and wonder that these bodies and the wider ecology they exist in really have.

Another example: You know someone is an asshole the first time you meet them and you think that’s because you’re “empathic.”

Nope. Your body just happens to be extra damn amazing at collecting data like micro expressions, tone, etc. that other bodies may be missing.

What does this all mean?

It means that the more you are in your body, the more you practice listening to your body in its fullness, that the more your sense of self will grow. Your sense of agency in your life will expand the more you clear the static from your antenna. Your emotional health will increase as you defrag your processing.

It means that your body is the key to everything and that any kind of denial of that fact will only increase difficulty, challenge, and pain.

And no matter where you are in your body’s journey, its capacity for this clearing and defraging (the best metaphors I could come up with right now…) is always there but we must stop trying to “transcend.” That will happen quite naturally and eventually for all of us.

Dance is NOT exercise

No matter how much I talk and write about this, the wider culture’s use of dance is louder than me, so I guess I’ll simply be saying variations of this for the rest of my life. ((ha))

This is something I wrote recently on my linkedin (and it’s followed by another clarification so jump ahead if you’ve already seen this italicized part):

I just saw someone, on a trauma related post, write "exercise/dance," and it made me wince.

To start, I can't stand the word or idea of exercise. Our culture has turned it into half/part of various punishment equations (and these are just off the top of my head):

Exercise = being allowed to eat something yummy

Exercise x Self Denial = being a size that we find acceptable

Exercise x a lot of luck related variables = health as a virtue

To equate dance with any of that just makes me grrrr...

Because the dance world is already steeped in self abusive behaviors and the encouragement of self hatred if you don't meet certain criteria.

Beyond that, our wider culture has turned dance into something only done by certain bodies in certain ways.

Or we think of it as something that we do publicly if we've had enough to drink.

Dance is a sacred human endeavor meant for expression and connection. Period.

Dance is literally in our genes, as it was the first way -- along with drumming and fire -- that we made ritual.

It was also, very likely, how we came together and created the illusion of something larger to scare off threats.

It is written into us to move to music and sound and with others.

And THAT is why it's so damn effective when treating/healing/exploring trauma.

I rarely use the word “dance” when I’m talking about The Peony Method because there’s so much about that word that can trigger so many humans, including really negative experiences with dance teachers in childhood.

So I often say movement or movement art, but we are dancing, just as the whole universe dances itself into and out of the cycles of destruction and construction over and over and over…

But there are MASSIVE differences between what I do and what most people think of when they hear the word dance, and there are just as huge differences between what I do and what a lot of what’s called “conscious dance” looks like.

We are never dancing or moving to check out or to “transcend.” We are moving to become more awake and to bring more awareness to this bodily experience life. We are moving to feel and to process and to open.

This really is the piece most people are missing if they are doing talk therapy. Talk all you want but eventually you have to come face to face with your lack of embodiment and you have to become embodied to move forward and grow.

If we really want healing and freedom, the body is the way, and you must be willing to move this body in the way it is crying/screaming/asking to move. And that won’t look like anything anyone else has ever done.

In that context, I give you “structure without stricture.”

This photo shows what I mean by "structure without stricture." Each person in this photo is both listening to the same music AND responding to the same exact prompt...

This is a practice that meets you where you are, day to day, and evolves with you over time. The Peony Method is freedom.

Aging, user error, and movement play

A lot (not all) of what we refer to as "aging" could actually be categorized as user error. And again, I'm not talking about complicated process like disease, illness, injury, but the typical things we blame on aging.

We don't pay attention to water intake. There are physicians who would corroborate that a lot of our issues are around dehydration, from what happens with our skin to fatigue to brain fog/memory issues.

We stop moving so we stop being able to move. We say things like, “if I get down on the floor, I can’t get back up… age!” No. Did you spend any time on the floor before this age? So many just don’t. Stop relying on all that furniture; make friends with the floor and the ground.

We start seeing the cumulative effects of bad choices from earlier in life that we thought were okay because nothing bad was happening immediately. Everything from overeating sugars, etc., to drinking every day, to smoking, to never ever picking up a weight or trying to squat or or or... We say “my numbers are great!” until they aren’t and then what? AGE! But really in so many cases? Our choices.

Even the inches thing — we think it’s inevitable that we SHRINK! But as I’ve mentioned before, I have had elder dancers regain inches — INCHES — after mere months of this work.

Here's what I've observed from years of working with humans over 65 (and many other humans who were younger but already feeling effects that looked like aging):

It's never too late to start feeling better.

And as my elder dancer Betty would say, "tell people it's also never TOO EARLY, Christine!"

To be clear, this isn’t about “exercising” and it’s not about sweating your ass off (though that might happen here and there): it’s about joyful, flowing, natural, inquisitive movement in community.

It’s the sort of thing we should all be doing from day one and it’s the sort of thing that we naturally keep doing because it’s so easeful and calming and smiley. And it becomes, over time, the space where we process everything, the space where we honor and pray, the space where we rejuvenate and relax, the space where we connect to self and all and everything.