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A wee story about kundalini's relationship to my somatic dance and some new videos

I’m going to say something that is not said enough: all of this stuff is made up. All of it. Someone moved around a bit and “found” these movements. These are not handed down to us from some god or found in some ancient manuscript. (And why are older things equated with “better” anyway?) So when we find out some random man (always a man) was actually a total dork (to put it kindly) that doesn’t mean the movements aren’t still effective. (I’m speaking here to some annoying crap that came out about the people who brought kundalini to the west.)

So here we are: my love of kundalini goes way back and I think it was the door that led to me returning to dance. (And a side note for those who might know what this means: I have never been a student of “kundalini yoga as taught by Yogi Bhajan.” I am not someone who likes prescribed sets that are treated as if they are magical or medical. I like to play. And I was lucky enough to find some teachers who were the same.)

My yoga journey told super fast

I started studying yoga for the same reason a lot of people did in the late 1990s: I was stressed and anxious and depressed and thought it might help. I saw it as a physical practice as most did at that time. (Eventually I dove into the spiritual and philosophical aspects and those have been more influential to my current work than any of the physical stuff.)

My very first yoga VHS (yes, I said that… VHS TAPE) was with Erich Schiffman. The one with Ali McGraw that I believe set the aesthetic for yoga videos for a long time to come. You can actually see it here.

I was in my late 20s when I started and ended up studying a wide variety of lineages, starting with Iyengar and then Integral, Kripalu, and Vinyasa, until I somehow, in my early 30s, found Kundalini yoga.

And that changed everything.

I would finish up a practice and actually feel like my mind was not the enemy. I would feel… elated. It didn’t last more than a few hours but that taste was enough to keep me going back for more.

The breathwork is so important in this practice that I tell new students, you can always stop the movement if you envision it and continue the breath practice. (Again, this is foundational to Peony Somatic Dance and shows up in every single class to this day.)

Kundalini has a dancerly feel to it and it gave me a sense of the possible joy of my body after decades of living detached from my body. It was enough that I was open to dancing when the moment finally presented itself.

These moments that save us? They can easily be missed if the ground has not been prepared.

Kundalini is a gateway or so I hope

I love kundalini for itself, but I have also always held this hope that people would do kundalini and then want more… more freedom, more self expression, more movement unique to their unique bodies.

It doesn’t always work that way and that’s okay. It’s okay to just love your kundalini practice (even though, if you take classes with me, I’ll sneak in a bunch of other stuff).

And for that reason, I’ve finally decided to offer more of this practice I love to the wider world and not just the students in my classes.

I’m starting a section on my YouTube channel that will be focused on this.

To begin, I’m sharing shorts that demonstrate the most essential kundalini movements — the ones that I think you could do every day for just a few minutes and you’d get a lot out of them.

Keep in mind, that an “advanced” kundalini practice is more about length spent practicing than some contortionist or gymnastics level postures. Though there aren’t really “postures” in this practice because it’s almost always moving.

I’m sharing one video right here but you can go to my YouTube channel and get more (and maybe subscribe so you get an alert when I post new things).

In the coming months, I’ll share breath practices and a series for each chakra. I’ll also be adding videos of chair based versions.

Volume up to hear the breath. This movement has made my core and back so strong. Just a minute of this a day will create changes.

Peony Somatic Dance: the basic parts of a class

I’ve put together all the shorts that Linda Soto, Jillian Hynes, and I made to demonstrate the first half of a Peony Somatic Dance class. They’re all in one 5 minute video now on my YouTube channel.

You will also see that I’m building new playlists of free material. Soon there will be an entire playlist of shorts demonstrating basic somatic movements. It would be awesome if you would subscribe. (Thank you!)

And here’s the new complete video:

New Free Video & Last Classes of the Year

We’re going to be making a total of six of these videos (we being me and Linda Soto and Jillian Hynes) to show the fundamentals of a Peony Methods class on 3 different humans.

Here’s part two, showing some examples of possible floor (or chair) warmups. If you’ve been with me long, you know there are a bajillion things that we might possibly do for that segment of the class, but these are pretty standard.

And for the last class session of the year, I’ll be running the usual classes for four weeks. One week on, one week off for Thanksgiving week, three weeks on, and then a three week break over the remaining holidays.

GO HERE to looksie and register.

I would love to see you! Please always know that if these classes are out of reach financially that I will work with you to get you in. Just write to me and we’ll figure out what would be doable. I don’t need to know anything more.

The Unique Movement of Different Bodies

So that you can see the work of the Peony Method on DIFFERENT BODIES, I'm starting a series with long time students, Jillian Hynes and Linda L Soto where we'll demo the fundamental parts of a Peony Method class, starting, of course with the always present seated circles. (For a breakdown of the basics of this movement, see this previous video.)

The first person who watched this new video had a lot of things to say:

1. She thought she would hate hearing the breath and she LOVED it. So volume up. She said she was so used to hearing MY breath that she didn't realize how different it could be and now she feels like "oh! I could do this!"

2. She was so used to seeing ME do the movements that she wasn't sure they were for her, but after watching how different they look in different bodies, again, she feels like "oh! I could do this!"

Which is the whole point of this type of demo... to underscore what I am constantly saying: THIS IS DIFFERENT FOR EVERY SINGLE BODY and DIFFERENT IS BEAUTIFUL.

I am demoing in a chair to remind people that that too is possible.

Go here to see what else is on my YouTube channel, and don’t forget to like, comment, and subscribe to help get this work to more people who need it.

JoyList: Stuff floating my boat

Are you heading to any music or festivals this summer? We started off this past weekend with our neighborhood ComFest (community arts and music festival). It’s been going on in our park for 51 years.

Obviously, the stilt walker was at our festival. She was one of two. I can’t imagine. Even this bit of height would turn my stomach, but they were so happy and smiley.

Other things floating my boat…

Did you hear about this wacky and amazing science-y discovery that is blowing all the scientists brains this week? The papers were released on the 28th and wow! If you like time and space stuff, check it out.

OH! I have a new video of a super simple and highly effective psoas release that also works, of course, on your diaphragm and your nervous system. Go here and look under “shorts.” It’ll be the first one with me looking way up at the camera. And if you get something out of it, make sure to like, comment, and/or subscribe. (Thank you!)

Speaking of YouTube:

Something new from one of my favorite dance companies.

My favorite creator who talks about her different brain and burnout and how she’s healing that.

Have you ever watched any of the videos by this Chinese creator? She lives in the mountains on her grandparents’ farm and does every freaking thing by hand and traditional methods. Watching her cook or build something is so freaking soothing to me. She also practices traditional arts like calligraphy… just whoa.

For my Butoh loving peeps, here’s a short video of Kauo Ohno (one of the founders) talking about technique and motivation.

For my book lovers, here are a few of my recent faves, but you can always just look at my goodreads.

For specific books:

I’m about 2/3s of the way through Lisa See’s most current book. ANYTHING SHE WRITES is worth your time.

I loved Louise Erdrich’s most recent. She just never misses the mark.

And someone told me to read this Rebecca Solnit quite a while ago. I love her work and am loving this too.

What’s floating YOUR boat?

The efficacy of fidgeting (and more free videos)

If you know me, you know I am constantly reading and watching videos about the bodymind and trauma and healing and overall fitness (meaning, for me, the confluence of mind, body, spirit), but then I don’t always remember WHERE I get stuff so I apologize for the lack of sources here but whatevs.

There are some new studies out there that are showing that fidgeting can be super helpful in activating a more effective metabolism.

The one study is about simply doing heel lifts when you’re seated. Crazy stuff. They’re called “soleus pushups.”

But little bits of movement throughout the day — and I mean LITTLE BITS — can help long term with overall health.

Turns out fidgeting is good for you. (Though perhaps annoying for the person sitting next to you on the couch… ((cough)) ha)

Here are some things I’m playing with that aren’t exactly fidgeting but are along those lines because I’m doing them quickly and not for more than 30 or 60 seconds at a time:

  1. If you’re having to sit for a long time, do those soleus pushups but also do some joint circles — wrists, for one, and shoulders and ankles are easy to do in a chair and to do in these tiny bits I keep mentioning.

  2. When I walk past a certain wall toward the kitchen, I try to stop and do just a few wall pushups.

  3. When I’m waiting for tea water to boil or whatever, I do a bunch of rises on the balls of my feet (releves) from different foot positions.

  4. Sometimes on the couch, I do a ton of weird leg stretches… like a cat!

  5. I’m trying to add in brief wall sits when I pass other walls in the house.

  6. I’m also trying to remember to put my fingertips on the edge of the door frame and do a weighted drop (not lifting my feet off the ground to hang totally yet because of the shoulder stuff I’m still healing from).

  7. You could have a squeezy ball at your desk to just, well, squeeze, because grip is super important to dynamic aging.

  8. I also have some actual fidget toys that keep my fingers moving when I’m watching TV.

If you have other ideas, I’d love to hear!

AND in case you missed it, a recent video I made is about some simple movement to do to work with anger, frustration, stuckness, grief, etc.

Remember, if you like the content, please react to it on YouTube with a thumbs up or comment, and don’t forget to subscribe to my channel.

Young Bjork speaking wisdom

I came across this on TikTok a couple of weeks ago, and it’s stayed in my head, so I figure others need it too.

She’s NOT insulting Madonna but speaking some deep truth about instinct versus intellect. Wait until the very end when she talks about the age of your brain versus the age of your instinct… it made me go, WHOA… (This video is about a minute long… you have time.)