Peony Somatic Dance

Growing our community muscles has to be a priority

From a recent local class.

Let me start by saying that a lot of us have grown, over our lives, complacent about community building. We tend to participate in communities that are convenient and easy.

This has been especially true since the pandemic, from which we learned to isolate more and more. Of course, this was necessary in terms of 3D human encounters to protect us all, but many of us gave up altogether even in the face of tools that could have kept our community muscles a bit more healthy.

So we enter into next week, into a new and potentially damaging paradigm, leaning again into isolation.

This won’t do.

Not if we want the coming years to be at all safe for women and marginalized humans. We can’t just sink into our aloneness and stay at home watching television and judge the world as it burns from our comfortable front windows.

We must commune with likeminded humans. We must build trust and companionship because that’s the foundation of the work that will call to us.

We must build this trust and companionship via shared story (and truth) telling.

We must embody this trust and companionship.

I’m convinced that this cannot only all be done in 3D but also if we are far away from one another via the very tools that many want to use to hurt us.

Tools are only as good as their users… whether this be the maps of religions or tech tools or hammers or communication.

And we must not desert these very powerful tools to those who would use them for evil. (Yes, evil.)

I will be staying, for example, on Facebook because it has a free private group function that no one else offers. I can use that to grow community.

But beyond that, I am staying because I will not let these spaces be taken over by hateful voices. I will be a compassionate voice. I will fight for the space that has given me so much.

And I will, of course, continue to teach online via zoom. The community that has grown in those classes since the start of the pandemic is as beautiful and deep and solid as any community in 3D that I am a part of. To say otherwise is to demean our basic, DNA level need and capacity to connect to one another regardless of circumstances.

So I come to you with two things.

If you’re not in the Circle of Trees on Facebook, ask me to add you.

Here’s a quick take on what goes on in there: It's a space where people feel really safe to share challenges -- and joys. We talk a lot about neurodivergence/neurospicy brains, and mental health, and of course. somatic/healing movement. The support in this space and the kindness and compassion are indescribable.

And as always, I have classes starting. They start next week, the week of the inauguration.

I, like most of you I assume, am grieving that inauguration, but I know, too, that I can’t stay stuck in grief, and being in somatic dance spaces with other humans is how I take care of my emotional and mental health so that I can be strong for myself and everyone around me.

You can register for Peony Somatic Dance classes right now.

Don’t hide. Don’t disappear. We need every single one of our voices out in this world. Now more than ever.

Listening to music from our youth is not just nostalgia

Me, at about 16. And yes, I’m singing as I dance… I always have.

A few weeks ago, I was having an extra rough stretch of days. It might have been soon after the election so it was more like a couple of months ago. I taught my local class and then got in the car to drive home. I put on a random Spotify list from the 1980s and the song that popped up was Notorious by Duran Duran.

You might not know, but likely do, that I was a major Duranie all through high school and beyond. At this point, I’ve seen them four times, including twice in the last two years with Craig.

Their Notorious tour was the first time I saw them. I would have been 17/18 years old and my mother took me to Blossom in Ohio to see them (one of the places I just saw them with Craig, actually… time is funny, isn’t it?).

Anyway, as soon as that song started in the car, I felt a physical change in my body. And over the first bit of the song, my mind shifted and my heart opened. And I realized that I suddenly felt… really powerful.

That is the only word for it… powerful. REALLY powerful. That kind of youthful “I can do anything in this world” powerful.

It felt amazing. So over the next couple of weeks, whenever I got in the car, I put that song on and it kept working. It helped me to recover my sense of myself.

A lot of people see us as stuck if we listen to music from our youth. And you know me… I am constantly learning new music. I know what’s happening in the music world… always.

But there’s more to the music of our youth than just nostalgia.

About 14 years ago, I came across a study from 1979 called Counterclockwise, and I’ve talked about this study a lot over the years. A group of older men were brought to a house that only had things from their 20s. And they only listened to music from that time. Over the week, they regained what they thought was lost-forever mobility and their memories got sharper.

Now there are people working to replicate that study. You can look here. (I haven’t dug into all of the links yet, but I will be and I encourage you to.)

And recently there was a big cover article for National Geographic about how much aging really is just a cultural story. Hmmm… who has been yelling that for the last 15 years!?!? (That article is behind a paywall but I intend to get it. If anyone has access, read it and let me know what you think.)

Here’s the thing: there are big time benefits to tapping into the music of our youth on the regular.

And as you’ve heard me say countless times, there are HUGE benefits to moving to music we don’t know.

It’s a both/and thing. They each have benefits.

So here’s my question for you: what music makes you feel amazing? Or brings back a younger version of you?

Movement play inspiration for your new year

I would like to say happy new year but I’m writing this on January 6th and I’m just not feeling it. I’m assuming most (if not all) of you reading this are on the same page.

I also just taught at the residential recovery center and spent that time talking to someone about their fears about what’s coming. Wherever I go, people are anxious and worried. January feels like we’re collectively holding our breath until the 20th and the few days after. But then I think we’ve all been doing that to some degree since the night of the election.

Here’s hoping that the guardrails hold…

Regardless we need to keep moving forward, and focusing our energy on the things we can actually control becomes more important than ever.

Taking care of ourselves and filling ourselves with joyful energy is crucial if we are ever to build the kind of world that I know we all want — one of inclusivity, compassion, and real love… the kind of love that values every being as worthy.

With that in mind, I come to my main new year’s intention: to get back my sense of passion and playfulness with my own dance/movement practices, rather than only feeling that way when I’m teaching.

I’m starting slowly with about ten minutes at noon every day. I got a fun disco light just for this. I turn that on and put on a list of 80s dance music. I don’t “try” to “do” or experiment or create. Just dance. That’s it. Let it flow.

Next week, I’ll be building more aspects of my practice.

And in preparation for all of this, I’ve created a playlist of inspiration on YouTube that you also can access by hitting the upper right corner where it says 1/16 on the video below or click here. There’s only one of my own videos on this list and then other things that you can skip around in for ideas.

I’ll add to this list whenever I come across anything that fits that bill.

Let me know if you have any videos you think belong on it.

New free weekly experiments

I can’t believe how long it’s been since I’ve written. Yoga Teacher Training has just made my summer so much busier and so much more tiring than I could have ever anticipated. As you read this, I will be days away from finishing! YAY!

New free stuff

In the meantime, I’m starting a new weekly share on my Facebook business page and Instagram. If you aren’t connected to me on either of those, maybe go do it so you don’t miss these. I won’t share them on my blog except every so often.

The weekly share will be around the idea of “experiment of one.”

And it will always be something really simple to play with. We want ease in these practices.

Also? We want to build a sense of devotion and not one of powering-through.

Here’s this week’s:

All week long, just notice your sitting habits. Whether at your desk, in front of the TV, in the car... wherever you sit, notice what you typically do.

Then take it another step: notice and change. See if you can find different ways of entering into your seat and different ways of sitting. Challenge yourself to be uncomfortable for a bit.

I would love to hear if you learn anything interesting!

Force versus joyful challenge

A little backstory

You know I started going to Orange Theory because I needed a serious kick in the ass when it came to my commitment/devotion to movement. I needed something outside my usual box. I needed an environment that helped me to do the thing, and Orange Theory covered all the bases.

If I signed up for a class and missed it, it cost me money, so I was always motivated to get out of bed and freaking go. When I got there, the music was fun and I didn’t need to think about anything because the coaches just tell you want to do. It was the perfect blend to keep me working harder than I had in a couple of years.

Let me emphasize this: I did need this to get me moving in the right direction.

And enter: Force

But one of my defaults is to push too hard. I have to watch for it, because it can happen so easily and so suddenly and I can justify it to the moon and back.

Eventually I was going to Orange Theory four times a week. On top of teaching a lot and doing other classes for my Yoga Teacher Training and playing tennis.

I was exhausted all of the time and “couldn’t figure out why.” ((hahahahaha))

I can be slow. ((even bigger laughter))

Eventually I figured it out. I cut my Orange Theory back to twice (and often once) a week. I almost quit altogether but I really do like the community there and have made some friends, and I figure in the winter, I’ll go more.

But that’s not the point of this post.

What’s wrong with force?

Isn’t force just big willpower? Lots of trying? It can be… I guess.

I think force comes into positive play when, for example, I’m deep in depression. If I can manage to force myself to do the things I do not want to do, well, it’s really a sign of hope, right? That kind of force shows that my willpower brain isn’t totally broken yet by the depression and that I am going to be able to drag my ass out of it (yet again).

But often force is just a sort of self inflicted violence.

When we work with force in our bodies, we’re definitely (most often) disconnected from our bodies. They’re a thing that we’re trying to change or contort. A lot of times, movement in this context is pure punishment.

This creates a toxic internal environment on the chemical level.

When we approach change from this kind of force, we’re stressing the nervous system, releasing cortisol, and keeping the body in a dysregulated state.

Change will not come in this state.

Your body is going to work against you, mistaking you for the enemy. Or not mistaking you… because when you’re treating yourself like this, you actually kinda are the enemy.

So what about joyful challenge?

The body knows the difference. Period. Your state of mind is different and so you’re more likely to create the joyful chemical stew in the brain that your body needs for healthy change.

If you approach your movement from a place of play and curiosity and experimentation, you are not working from punishment.

This is the state that regulates the nervous system. It’s from this state, that you’re clear on your motivations and they’re of the healthy variety.

When I’m working with force, my motivations are definitely aesthetic. That’s poison for me.

When I’m working from joy, my motivations are all about my mental health. That is my sweet spot. And most humans’, for that matter.

When we work from joy, compassion, and care, we’re not not challenging ourselves. It just is healthy challenge. It’s sustainable challenge.

The results

Since I’ve recalibrated my movement practices back to joyful and devoted, I already have noticed the kinds of changes I really need:

  • I have more energy, of course. Because I’m not killing myself in the name of, again, aesthetics.

  • I am getting stronger and more balanced by the day because I have more energy to work harder when I am working. I’m not just dragging myself through my practices and hoping for the end.

  • I am happier. This is the big one. This is why I do the work I do — for myself and for others. It’s always been about mental health for me.

I’ve worked really hard to overcome disordered eating and body hatred from my youth but they can still pop up. It takes constant vigilance, and even then, it can be so easy to slip back into old habits.

We teach what we need. I learn that over and over and over.

Peony Somatic Dance: the basic parts of a class

I’ve put together all the shorts that Linda Soto, Jillian Hynes, and I made to demonstrate the first half of a Peony Somatic Dance class. They’re all in one 5 minute video now on my YouTube channel.

You will also see that I’m building new playlists of free material. Soon there will be an entire playlist of shorts demonstrating basic somatic movements. It would be awesome if you would subscribe. (Thank you!)

And here’s the new complete video:

The reality of commitment and consistency and why most people give up

This photo is from about ten years ago (and my hair is dyed so no, I didn’t go silver that fast).

A lot has happened since I took that photo (I mean… I’m taking it from a mirror which tells you a lot has happened even just with phones… ha).

A lot has happened since I took that photo. That, my beautiful nutbags, is a huge understatement.

Even if we only look at the “pandemic years,” so much has happened.

Above it all, the thing that has stunned me the most and has had the biggest impact on this body and mind:

Deep depression like I thought I would never see again came back, and yet again, ate all of the things that are my healing.

Sure, I continued to teach movement but I wasn’t wholeheartedly engaged. I was mostly going through the motions, which you may or may not have noticed. My depression was obvious in general, but I think when I was teaching, you could almost believe I was okay.

But I wasn’t creating any new methods. I wasn’t reading about movement or watching videos or seeking new movement. Big red flag.

I wasn’t listening to my favorite music when I wasn’t teaching. Big red flag.

And biggest red flag ever: I was only dancing when I was teaching and that wasn’t a lot.

Re-enter commitment

I am not sure exactly when it happened, but at some point in the last year or so, that depression started to lift. I think it had a lot to do with returning to playing tennis.

Which makes sense. The first time I seriously kicked depression out the door was when I started to dance again at the age of 40.

It seems I need some sort of return — specifically (and totally unsurprisingly) — to something physical that I have loved in the past.

I got obsessed with tennis. OBSESSED.

And it broke something open inside of me: my body was relearning commitment.

And finally consistency

But tennis is only during the good weather. (Alas, it’s too expensive around here to belong to a club.)

So I waited for the season to start again and started pretty much from scratch at rebuilding my skills.

But my obsession with tennis eventually led to consistency.

I realized I needed to be doing something more tennis-like (as in INTENSE CARDIO and lots of fast twitch muscle stuff) during the bad weather months, which made me do something I did not want to do: join some sort of gym.

I did this thinking that I would quit once tennis season started because I was only doing it to stay ready for tennis, right?

But surprise! I found the thing that created the consistency on top of the commitment. I found the thing that I am willing to get up early for, that I am willing to push myself into discomfort for, that I will not stop now that it’s summer.

Finding Orange Theory was a literal life saver (if you understand how life threatening serious depression can be).

And not because of the Orange Theory workouts. Not at all.

Finding it was a lifesaver because it supports me to do the things that are my life saving medicines.

Not only am I already, I think, showing signs of being a better tennis player this summer than last (and we’ve only played a handful of times so far), but it’s impacting my dance. It’s given me my strong legs back and my balance and of course my stamina.

And it’s only going to get better.

But here’s what I really want to say to you:

Commitment and Consistency for the Win

It takes time.

I don’t think I’ll really start to see the depths of change I want to see for another few months, and I don’t think I’ll be back to the strength and agility I had in that photo for probably a year.

And this is where most humans fail: once they don’t see the change they want within a short period, they quit. And then they blame whatever they were doing but it’s really the lack of commitment and consistency.

This is a long game, folks. As in, for the rest of your life.

Settle into it. Give into it. It’s the only way.

Three more somatic techniques for nervous system regulation

(You can review the first three somatic techniques of spinning, jumping, and shaking.)

As I wrote about before, somatic healing techniques are embedded in a Peony Somatic Dance class from the first breath to the last bit of movement. We aren’t always doing them in a strict “here is this somatic move” way.

So for this series, I’m breaking them down and talking about the effectiveness of each.

Slow Walking

Slow walking comes directly out of my Butoh studies and practices, and I think it is one of the most important fundamentals in all of the methods of Peony Somatic Dance. There are so many variables that we can play with here. It’s really never-ending.

Out of the all of the practices, the widest range of humans declare this to be their favorite — from the kids I taught in residential schools to elder dancers and everyone in between.

Pushing

If you’re feeling frustrated in particular, there’s nothing quite like pushing. Approach the wall in all its metaphorical glory and imagine you truly can push it down or push through it.

Wrapping

If you are feeling overstimulated or having some issues with dissociation, wrapping is so freaking helpful. Like I say here, it’s more than just a weighted blanket or a good firm hug. And one of the best things about it, of course, is that you’re totally in control of pressure and tightness.